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Please follow these rules and advices to produce good videos. The more usable videos you film,
the more money you can earn.
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Obligatory rules for videos...
If you don't follow these obligatory rules we won't be able to use your videos
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Always film with the wide-angle position of the lens
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Never use the zoom. Zooming in and out looks very amateurish. Keep the zoom lever always at the wide-angle position.
If you want to change the viewing angle, move the camcorder itself, but do not use the zoom.
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Don't use separate wide-angle converters
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Just use the built-in lens and keep it at the wide-angle position. Additional wide-angle converters are distorting the picture.
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Do not use the built-in lamp of your camcorder
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If your camcorder has a built-in lamp, don't use it. If you're close to the subject the built-in lamp produces a bright spot in the middle of the picture, which looks terrible.
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Never mix artificial light with daylight
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Do not use light bulbs (or other artificial lights) together with daylight, as this mixture results in terrible coulour casts.
Please use only one of the following possibilities:
a) "Daylight Only". Make sure to have absolutely no artificial lights in the room. Switch off all light bulbs.
b) "Artificial Light Only" (e.g. 2x 500W halogen-lamps). Make sure to have absolutely no daylight in the room.
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Do not use any special effects
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like Slow Motion or Black And White or Fade-In/Outs
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Hold the camcorder absolutely still with both hands
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Don't shake or tremble the camcorder. Hold it as still as possible with both hands. Don't make jerky movements.
A very good idea is to watch the edges of the picture inside the LCD monitor to control camcorder movement.
Make sure that the picture background doesn't move compared to the edges of the LCD. If so, the camcorder is still.
Don't just stare into the middle of the LCD and don't follow every slight movement of the model with the camcorder, but keep the camcorder still
while the model is moving inside the picture frame. Follow with the camcorder only if the model tends to leave the picture frame.
Basically the model should move, not the camcorder. For instance, instead of spinning around the model with the camcorder, the model should rotate while the camcorder
remains still.
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Do not constantly move around with the camcorder
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Think of the viewers. Give the viewers time to admire the body of the girl. You can do that by holding the camcorder absolutely still for a while, then
change position quickly and hold it still again. Do not constantly move around with the camcorder. The viewer can't really admire a nice part of the girl
if the camcorder just flies about it and shows it only for some seconds.
So keep the camcorder absolutely still for let's say 30 to 40 seconds, then for instance move closer and keep the camcorder still again for a good while,
then change the viewing point again (e.g. film from the side) and keep the camcorder still again for 30 seconds, and so on. Don't constantly "fly around"
with the camcorder, as this camcorder movement tires out the viewer.
If you're filming you might think that 30 seconds is too long for doing nothing with the camcorder, but that's ok. The girl must move, not the camcorder.
It's ok if you change the camcorder position quickly and shaky as we will cut out this bad footage anyway. Example: Film the entire body of the girl for 30 seconds, then
walk closer quickly and film the breasts for 30 seconds, then walk back quickly and film the head and belly for 30 seconds and so on.
We will cut out the "walking footage".
Rather than changing the camcorder position very quickly you can also do that intentionally very slowly (in order to use the footage of the camcorder movement),
e.g. going slowly from thighs to breasts. But you must make sure to move the camcorder very very smooth and to avoid any camcorder vibration.
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Keep the camcorder strictly horizontal
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Do not tilt the camcorder to the left or right. The picture must be strictly horizontal.
If you tilt the camcorder the viewer must tilt his head to get the picture. Nobody wants that.
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Set the WHITE BALANCE manually.
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If the WHITE BALANCE is set to AUTO, the colour of the model's skin will change constantly, which looks very bad. Please set the WHITE BALANCE manually. It's easy,
as you can do that with all camcorders and you only need to switch between two settings:
- When filming outdoors set the WHITE BALANCE to "Outdoors" or "Sunny".
- When filming indoors with the halogen-lamps set the WHITE BALANCE to "Indoors" or "Tungsten".
- When filming indoors with daylight set the WHITE BALANCE to "Outdoors" or "Sunny".
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For Standard Definition (SD) use the normal 4:3 format only
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If you film in Standard Definition (e.g. miniDV tape), don't use the 16:9 format. Please use 4:3 format.
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If you can select the SHUTTER SPEED
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set it to 1/50s (often referred as TV 50). You can do that only with some camcorders.
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No background music
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Don't have a TV, Radio or CD playing in the background. It's much better to hear the original sounds (e.g. the slaps of the bouncing breasts) clearly.
Of course this doesn't apply to "dancing scenes", here you need music :-)
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For AVCHD camcorders
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Use the highest video quality setting, i.e. the highest data rate possible.
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Important advices...
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Always film in bright light. Daylight is the best
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The quality of the video depends on the surrounding light. More light will result in better quality videos.
Whenever possible please film the videos outdoors in bright daylight, this gives the best results.
Direct sun is even better, so whenever you can choose between a darker place (e.g. under a roof or tree)
and a sunny place nearby please use the sunny place for filming.
Make sure to have the sun in the rear of the photographer, not in the rear of the model (otherwise you'll get bad reflections in the lens).
And besides, it's very nice to look at naked breasts presented outdoors, our members do love such photos :-)
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When filming indoors
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Use either "Daylight Only" or "Artificial Light Only", but not both at the same time, so use one of the following possibilities:
a) "Daylight Only":
Film at a sunny day when the room is brightly lit by daylight. Try to get as much daylight into the room as possible by opening the curtains and jalousies.
Switch off any light bulbs and all other artificial lights.
b) "Artificial Light Only":
Never use normal light bulbs, as this light will be too low and the video will get noisy.
Please use two or three 500W halogen-lamps (the cheap ones with a tripod, often found in garden or tool shops).
Direct one lamp up so that the light is reflected by the white ceiling (so you have a general lighting of the room) and direct the other lamp as a spotlight
on the girl from a corner of the room.
Make sure that the model doesn't move too close to the halogen-lamp, otherwise the skin will get overexposed (too bright).
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Whenever possible, set the EXPOSURE manually
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Please film with MANUAL EXPOSURE, if your camcorder can do that and if the lighting isn't supposed to change during the film.
So use MANUAL EXPOSURE indoors with the 2x 500W Halogen lamps or outdoors on a sunny day (but not with clouds hiding the sun from time to time).
A good way to set the exposure correctly is to use the head of the girl as a reference. Place the girl at the final position
and with all the lights on, go closer with the camcorder so that her head is filling the entire LCD frame, and set the exposure
according to this scene. Repeat this procedure whenever the lighting has changed (e.g. if a lamp gets closer).
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Clean the lens
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Make sure that the lens is clean. Don't shoot with a dirt-stained lens.
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Take off the lens cap completely
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If the lens cap dangles in the air attached to the camcorder it may disturb the picture.
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Don't talk while filming
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When you talk you will lose concentration on the camcorder and you will tend to shake it. So if you want to give instructions to the model, please
stop the video recording first, tell the model what you want, then start the recording again.
Of course the model may talk while being filmed. It's great to hear the model speak in the video.
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About the content...
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Basically there are no rules for the content of the video. You can choose any
pose or scene or dress you like (just think of what YOU would like to see
in an adult movie). But still please consider the following suggestions:
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Much variety
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It's great if there's much variety in the video. The more variety, the more video footage we can buy. Some ideas:
- Change clothes every 10 to 15 minutes. Don't film one hour with the same outfit.
- Tight clothings look best. Get much variety by having the model wear many different outfits, like various tops (blouse, shirt, tank-top,
tight sweater, jacket ...), various skirts, jeans, miniskirts, business costumes and other sexy outfits (nylons, high heels, tight panties).
Generally women own a lot of various clothings :-)
- Film at various places (e.g. indoors, outdoors, in the car, on a park bench, on the beach, in the kitchen, etc.)
- Change the perspective often (every 30 to 60 seconds). Don't just stand in front of the model filming dozens of minutes from the same viewing point.
This looks boring.
Vary the camcorder distance (e.g. film a close-up, then step back for a distant shot, then go a bit closer again, and so on),
vary the viewing angle (e.g. film from above, from below, at normal height, and so on),
vary the position (e.g. film a side view, from behind, from the front).
"Explore" the model's body with your camcorder.
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Don't have the model be naked all the time
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Film all aspects from fully clothed to topless. Also filming a slow striptease looks great.
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Don't film just "Head And Breasts" only
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It's boring to constantly have to watch the upper part of the model's body only. Please film all aspects of the model's body including
her ass, belly, thighs, legs. It's great to watch a curvy body in motion.
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Let the breasts often hang freely
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The model shouldn't fumble her breasts all the time. We've got many complaints from our members about models constantly holding and grasping
their breasts with their hands. Please let the breasts hang freely at least half of the time.
A good idea is to film the model doing some sort of action, e.g. the model could work in the kitchen, or hang up laundry, or clean the windows, or vacuum-clean,
or walk outside, or dance, or take a shower, or do anything else. It's great if the model starts fully clothed and constantly shows more and more of her body.
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Beware of the following mistakes...
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Never have a bright light behind the model, if the camcorder is set to AUTO exposure
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If the camcorder "is seeing" a bright light (for instance a lamp or a bright window) the AUTO exposure will darken the picture
and the video gets unusable. So make sure that bright lights are always in the rear of the photographer (so that the camcorder doesn't see them).
If you are an experienced user you can set the exposure manually so that the camcorder isn't disturbed by bright lights in the background.
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Bad.
The bright window on the right side darkens the picture. To avoid that turn 180 degrees so that the bright window is in the rear of the photographer.
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Avoid wasted space. Have the model fill the entire picture frame
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Always use the entire picture frame. Have the model fill the picture frame either vertically or horizontally.
It doesn't make sense to have wasted space above the model's head. Move the camcorder down until the model's head
touches the upper edge of the picture frame. It's better to see more of the lower part of the model's body
than a useless background above the model's head. Here are two examples:
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Bad.
There's wasted space above the model's head. The camcorder should move down.
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Good.
There's no wasted space above the model's head. The camcorder has moved down until the model's head touches the upper edge of the picture frame.
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Bad.
There's wasted space at the top and at the right side. Don't film like that.
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Good.
Move the camcorder down and left until the model fills the picture frame. It's much better to see the thighs instead of the gray wall.
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Don't just stare into the middle of the LCD. Check the edges
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Many photographers just look into the middle of the camcorder's LCD monitor and don't care about the edges. Therefore they're placing important
parts of the model's body (head, breasts) right into the middle of the picture frame.
This results in bad picture compositions with wasted space (see examples below). So while filming please constantly check the edges of the LCD
to notice wasted space and slightly move the camcorder to get a good picture composition (i.e. no wasted space).
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Bad.
The photographer has just stared into the middle of the LCD, and therefore he placed the breasts in the middle of the picture frame.
He didn't notice the wasted space on the left side. That's bad. It would be much better to move the camcorder slightly to the right
so we can see the model's beautiful ass rather than some useless trees.
Always check the edges of the picture frame to notice wasted space.
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Here are another four bad examples. The photographer hasn't checked the edges of the picture frame and therefore didn't notice the wasted space:
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Bad.
There's wasted space at the top.
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Bad.
There's wasted space at the bottom.
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Bad.
There's wasted space at the left (and top).
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Bad.
There's wasted space at the right.
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Don't cut off the lower edge of the breasts
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Always make sure that the lower edge of the breasts is visible. People want to see the
entire curve of the breasts.
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Bad.
The lower edge of the breasts is cut off. Don't film like that. Move the camcorder slightly down until the breasts are fully visible.
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Good.
The lower edge of the breasts is visible. This gives a good impression of the breast's curves.
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Beware of dark backgrounds
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If the camcorder is set to AUTO exposure it will try to get a good average exposure for all subjects visible in the picture (background and
model). The larger the subject the more it will influence the exposure metering. So
if the background is dark the camcorder will brighten it up and the model will get too bright (overexposed).
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Bad.
Due to the dark background the camcorder brightens the picture and the model's breasts get overexposed (too bright, no details visible, just a plain
white area).
To avoid that either
- set the exposure manually, or
- go to a another place, or
- turn to get another background
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